For example, the whole concept of “toplining” may still be foreign to most non-musicians, but if you’re a songwriter who frequents co-writing sessions, there’s no way you haven’t heard of it before. Likewise, the term “scratch vocal” might confuse some, but almost every singer or songwriting producer you meet will know that one intimately.
As we can see, we can divide modes in Major and Minor modes and this will affect the comparison we must make with their parallel scale. For example: E Phrygian is a minor mode, therefore it should be compared to E Natural Minor and not E Major. By doing so, we would find out that the two scales differ from each other by one note: F in the Phrygian mode instead of F# which appears on the E Natural Minor scale.