Music charity

XLR microphones have an analog output, as opposed to the digital output of USB, which means they require a recording interface to record to your computer. But analog outputs can connect to external audio gear like mixers, which allow you to balance the level of multiple microphones when recording live, and utilize pre-amps if necessary to boost the gain at source.

From this basis, I arrived at an elegant system of harmonic possibility that allowed me to compose music in an entirely new tuning system. I discovered rather than created this system, through a Bach-inspired process of “imaginative research,” infused with musical-theological connections in the spirit of Baroque metaphysics. For example, my use of the seventh partial mirrors and supports the subject matter of the Christmas/Nativity-themed text of the piece — according to Andreas Werckmeister, an organist and one of the main Baroque-era theorists of this system:

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Cci grants

Just like any genre, electronic production has its virtuosos that we can study and learn from. In this article, we’re going to approach Sandison and Eoin’s sound in three ways.

The tritone is a mainstay interval of heavy, dissonant rock riffage. In a most classic example, Black Sabbath’s self-titled song “Black Sabbath” (off the self-titled record, Black Sabbath) hits us with this massively dissonant tritone as soon as the band enters at 0:36, first jumping an octave before descending a gnarly diminished fifth, aiming to invoke the unequivocal power of the devil. The first time features a fast trill on the guitar, with a cleaner example of the interval at 0:47.

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